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New Hotel Art

New Hotel Artwork by Laurie Anderson, "Numbers Runners" 1979, Business Corner Laurie Anderson was born in Chicago in 1947. One of eight children, she studied the violin and played in the Chicago Youth Symphony. She graduated in 1969 from Barnard College in New York, and went on to study at Columbia University, working toward a graduate degree in sculpture. The art scene of the early 1970s fostered an experimental attitude among many young artists in downtown New York that attracted Anderson, and some of her earliest performances as a young artist took place on the street or in informal art spaces. In the most memorable of these, she stood on a block of ice, playing her violin while wearing her ice skates. When the ice melted, the performance ended. Since that time, Anderson has gone on to create large-scale theatrical works which combine a variety of media—music, video, storytelling, projected imagery, sculpture—in which she is an electrifying performer. As a visual artist, her work has been shown at the Guggenheim Museum; as well as extensively in Europe, including the Centre Georges Pompidou in Paris. She has also released seven albums for Warner Brothers, including "Big Science," featuring the song “O Superman,” which rose to number 2 on the British pop charts. In 1999, she staged "Songs and Stories From Moby Dick," an interpretation of Herman Melville’s 1851 novel. She lives in New York.


New Hotel Artwork by Laurie Anderson, "Numbers Runners" 1979, Business Corner Laurie Anderson was born in Chicago in 1947. One of eight children, she studied the violin and played in the Chicago Youth Symphony. She graduated in 1969 from Barnard College in New York, and went on to study at Columbia University, working toward a graduate degree in sculpture. The art scene of the early 1970s fostered an experimental attitude among many young artists in downtown New York that attracted Anderson, and some of her earliest performances as a young artist took place on the street or in informal art spaces. In the most memorable of these, she stood on a block of ice, playing her violin while wearing her ice skates. When the ice melted, the performance ended. Since that time, Anderson has gone on to create large-scale theatrical works which combine a variety of media—music, video, storytelling, projected imagery, sculpture—in which she is an electrifying performer. As a visual artist, her work has been shown at the Guggenheim Museum; as well as extensively in Europe, including the Centre Georges Pompidou in Paris. She has also released seven albums for Warner Brothers, including "Big Science," featuring the song “O Superman,” which rose to number 2 on the British pop charts. In 1999, she staged "Songs and Stories From Moby Dick," an interpretation of Herman Melville’s 1851 novel. She lives in New York.

New Hotel Artwork by Douglas Gordon, "Monument for X" 1998, Business Corner Douglas Gordon was born in Glasgow, Scotland, in 1966. He lives and works in New York. After receiving a B.A. at the Glasgow School of Art from 1984 to 1988, Gordon undertook a graduate program at the Slade School of Art in London from 1988 to 1990. Gordon was the recipient of the 1996 Turner Prize, the 1997 Venice Biennial's Premio 2000 award, the 1998 Hugo Boss Prize awarded by the Solomon R. Guggenheim Museum, and the 2008 Roswitha Haftmann Prize. His work has been the subject of numerous museum exhibitions, including the Museum of Contemporary Art, Los Angeles (2001); the Fundació Joan Miró, Barcelona (2006); "Timeline," The Museum of Modern Art, New York (2006), traveled to MALBA Colección Costantini, Buenos Aires (2007); "Pretty much every word written, spoken, heard, overheard from 1989...," the MART, Museo di arte moderna e contemporanea di Trento e Rovereto, Rovereto, Italy (2006); "Superhumanatural," the National Galleries of Scotland, Edinburgh (2006);"Between Darkness and Light: Works 1989-2007," Kunstmuseum Wolfsburg, Germany (2007); "Blood, Sweat, Tears," DOX Centre for Contemporary Art, Prague (2009) and Tate Britain, London (2010). The feature-length film, Zidane: A 21st Century Portrait, which he co-directed with artist Philippe Parreno, premiered at the 2006 Cannes Film Festival before screenings at numerous international venues. k.364 premiered at the Venice Film Festival in September 2010.


New Hotel Artwork by Douglas Gordon, "Monument for X" 1998, Business Corner Douglas Gordon was born in Glasgow, Scotland, in 1966. He lives and works in New York. After receiving a B.A. at the Glasgow School of Art from 1984 to 1988, Gordon undertook a graduate program at the Slade School of Art in London from 1988 to 1990. Gordon was the recipient of the 1996 Turner Prize, the 1997 Venice Biennial's Premio 2000 award, the 1998 Hugo Boss Prize awarded by the Solomon R. Guggenheim Museum, and the 2008 Roswitha Haftmann Prize. His work has been the subject of numerous museum exhibitions, including the Museum of Contemporary Art, Los Angeles (2001); the Fundació Joan Miró, Barcelona (2006); "Timeline," The Museum of Modern Art, New York (2006), traveled to MALBA Colección Costantini, Buenos Aires (2007); "Pretty much every word written, spoken, heard, overheard from 1989...," the MART, Museo di arte moderna e contemporanea di Trento e Rovereto, Rovereto, Italy (2006); "Superhumanatural," the National Galleries of Scotland, Edinburgh (2006);"Between Darkness and Light: Works 1989-2007," Kunstmuseum Wolfsburg, Germany (2007); "Blood, Sweat, Tears," DOX Centre for Contemporary Art, Prague (2009) and Tate Britain, London (2010). The feature-length film, Zidane: A 21st Century Portrait, which he co-directed with artist Philippe Parreno, premiered at the 2006 Cannes Film Festival before screenings at numerous international venues. k.364 premiered at the Venice Film Festival in September 2010.

New Hotel Artwork by Tassos Vrettos, "A NEW Kaktorium" 2011, Fitness Area New Sense Born in Athens, Greece in 1957. Tassos Vrettos has been involved in photography since 1979. In 1984 he joined the Grammi publishing organization as a photographer for the magazines Tetarto (collaborating with its editor, music composer Manos Hadjidakis), Ena and Mia. From 1986 to 1991 he was heading the photographic Dpt of the Lambrakis publications, his photographs appearing in such periodicals as Tachidromos, Marie Claire and Pantheon. Since 1991, when he set up his own studio, he has been working for Elle, Marie Claire, Gynaika, Harper’s Bazaar, Votre Beaute, Klik, Madame Figaro, Men, Cool, Soul et. al . He has photographed for music covers and relevant campaigns cooperating with music companies such as Sony, Warner, EMI, BMG, Polygram, Lyra, Akti Records and has cooperatied in creative projects with advertising companies such as Bold, Adel, Saatchi & Saatchi, Leo Burnett, BBDO, Fortune, Scholz & Friends, Olympic DDB, et.al. His photographic work has appeared in foreign periodicals such as Zoom (Italian & International editions), Creative Camera, l’ Officiel, Jardin des Modes, Janus, et.al, and is included in museum and private collections. Photographic material resulting from his collaboration with stage designer Dionissis Fotopoulos, appears in the art book Revelations (Adam publications, 1989 ). Other work is appearing in the art books Kati to Oreon (Anti publications, 1984) and Thrace, Terra Incognita (Rodos Image publications, 1997), the poetic collections Spondes (Exantas publ., 2004, poetry G..Duatzis) and Polite to Paron (Themelion publ. ,2008, poetry D. Halazonitis) as well as in the books The Νude in Greek Photography (Alkis Xanthakis editor, Kohlias publ., 2004), Hellenomouseion (Manos Stefanides editor, Militos publ. 2001), and Mysteries and Miracles (Photosynkyria 2005,Thessaloniki Museum of Photography publ.), Photography and Fashion (Platon Rivellis ed, The Athens Concert Hall & the Greek ministry of Culture, 2004-2005), Tassos Vrettos-the Hole argument, Saprofyta ed.2010. Tassos Vrettos has often collaborated with dance companies such as Oktana Dancetheatre (2001, 2002), SineQuaNon (2001), Roes (2009), Aerites (2010) et.al., with film and theatre festivals and has taken part in many interdisciplinary projects such as The Hole (Athens Film Festival, 2010) and Cinema and the City (University Sorbonne Nouvelle Paris III, Fondation Maison des Sciences de l’Homme, Benaki Museum, 2009). He has exhibited his work in solo and group shows in Greece and abroad.


New Hotel Artwork by Tassos Vrettos, "A NEW Kaktorium" 2011, Fitness Area New Sense Born in Athens, Greece in 1957. Tassos Vrettos has been involved in photography since 1979. In 1984 he joined the Grammi publishing organization as a photographer for the magazines Tetarto (collaborating with its editor, music composer Manos Hadjidakis), Ena and Mia. From 1986 to 1991 he was heading the photographic Dpt of the Lambrakis publications, his photographs appearing in such periodicals as Tachidromos, Marie Claire and Pantheon. Since 1991, when he set up his own studio, he has been working for Elle, Marie Claire, Gynaika, Harper’s Bazaar, Votre Beaute, Klik, Madame Figaro, Men, Cool, Soul et. al . He has photographed for music covers and relevant campaigns cooperating with music companies such as Sony, Warner, EMI, BMG, Polygram, Lyra, Akti Records and has cooperatied in creative projects with advertising companies such as Bold, Adel, Saatchi & Saatchi, Leo Burnett, BBDO, Fortune, Scholz & Friends, Olympic DDB, et.al. His photographic work has appeared in foreign periodicals such as Zoom (Italian & International editions), Creative Camera, l’ Officiel, Jardin des Modes, Janus, et.al, and is included in museum and private collections. Photographic material resulting from his collaboration with stage designer Dionissis Fotopoulos, appears in the art book Revelations (Adam publications, 1989 ). Other work is appearing in the art books Kati to Oreon (Anti publications, 1984) and Thrace, Terra Incognita (Rodos Image publications, 1997), the poetic collections Spondes (Exantas publ., 2004, poetry G..Duatzis) and Polite to Paron (Themelion publ. ,2008, poetry D. Halazonitis) as well as in the books The Νude in Greek Photography (Alkis Xanthakis editor, Kohlias publ., 2004), Hellenomouseion (Manos Stefanides editor, Militos publ. 2001), and Mysteries and Miracles (Photosynkyria 2005,Thessaloniki Museum of Photography publ.), Photography and Fashion (Platon Rivellis ed, The Athens Concert Hall & the Greek ministry of Culture, 2004-2005), Tassos Vrettos-the Hole argument, Saprofyta ed.2010. Tassos Vrettos has often collaborated with dance companies such as Oktana Dancetheatre (2001, 2002), SineQuaNon (2001), Roes (2009), Aerites (2010) et.al., with film and theatre festivals and has taken part in many interdisciplinary projects such as The Hole (Athens Film Festival, 2010) and Cinema and the City (University Sorbonne Nouvelle Paris III, Fondation Maison des Sciences de l’Homme, Benaki Museum, 2009). He has exhibited his work in solo and group shows in Greece and abroad.

New Hotel Artwork by Jenny Holzer, "Selections from the Survival Series" 1984, New Taste Restaurant Jenny Holzer was born July 29, 1950, in Gallipolis, Ohio, into a family of two generations of Ford auto dealers. She completed her undergraduate degree at Ohio University after attending Duke University and the University of Chicago. While enrolled in the Rhode Island School of Design, Holzer experimented with an abstract painting style influenced by the color field painters Mark Rothko and Morris Louis. In 1976 she moved to Manhattan, participating in the Whitney Museum's independent study program. Holzer's conception of language as art, in which semantics developed into her aesthetic, began to emerge in New York. The Whitney program included an extensive reading list incorporating Western and Eastern literature and philosophy. Holzer felt the writings could be simplified to phrases everyone could understand. She called these summaries her "Truisms" (1978), which she printed anonymously in black italic script on white paper and wheat-pasted to building facades, signs, and telephone booths in lower Manhattan. Arranged in alphabetical order and comprised of short sentences, her "Truisms" inspired pedestrians to scribble messages on the posters and make verbal comments. Holzer would stand and listen to the dialogues invoked by her words.


New Hotel Artwork by Jenny Holzer, "Selections from the Survival Series" 1984, New Taste Restaurant Jenny Holzer was born July 29, 1950, in Gallipolis, Ohio, into a family of two generations of Ford auto dealers. She completed her undergraduate degree at Ohio University after attending Duke University and the University of Chicago. While enrolled in the Rhode Island School of Design, Holzer experimented with an abstract painting style influenced by the color field painters Mark Rothko and Morris Louis. In 1976 she moved to Manhattan, participating in the Whitney Museum's independent study program. Holzer's conception of language as art, in which semantics developed into her aesthetic, began to emerge in New York. The Whitney program included an extensive reading list incorporating Western and Eastern literature and philosophy. Holzer felt the writings could be simplified to phrases everyone could understand. She called these summaries her "Truisms" (1978), which she printed anonymously in black italic script on white paper and wheat-pasted to building facades, signs, and telephone booths in lower Manhattan. Arranged in alphabetical order and comprised of short sentences, her "Truisms" inspired pedestrians to scribble messages on the posters and make verbal comments. Holzer would stand and listen to the dialogues invoked by her words.

New Hotel Artwork by Barbara Kruger, "No. 4100 Untitled" 1985, Workshop Floor, Ladies Room American conceptual / pop artist Barbara Kruger was born in Newark, New Jersey in 1945 and left there in 1964 to attend Syracuse University. Early on she developed an interest in graphic design, poetry, writing and attended poetry readings. Kruger’s earliest artworks date to 1969. Large woven wall hangings of yarn, beads, sequins, feathers, and ribbons, they exemplify the feminist recuperation of craft during this period. Despite her inclusion in the Whitney Biennial in 1973 and solo exhibitions at Artists Space and Fischbach Gallery, both in New York, the following two years, she was dissatisfied with her output and its detachment from her growing social and political concerns. In the fall of 1976, Kruger abandoned art making and moved to Berkeley, California, where she taught at the University of California for four years and steeped herself in the writings of Walter Benjamin and Roland Barthes. She took up photography in 1977, producing a series of black-and-white details of architectural exteriors paired with her own textual ruminations on the lives of those living inside. Published as an artist’s book, Picture/Readings (1979) foreshadows the aesthetic vocabulary Kruger developed in her mature work. By 1979 Barbara Kruger stopped taking photographs and began to employ found images in her art, mostly from mid-century American print-media sources, with words collaged directly over them. Her 1980 untitled piece commonly known as "Perfect" portrays the torso of a woman, hands clasped in prayer, evoking the Virgin Mary, the embodiment of submissive femininity; the word “perfect” is emblazoned along the lower edge of the image. These early collages in which Kruger deployed techniques she had perfected as a graphic designer, inaugurated the artist’s ongoing political, social, and especially feminist provocations and commentaries on religion, racial and gender stereotypes, consumerism, corporate greed, and power. During the early 1980s Barbara Kruger perfected a signature agitprop style, using cropped, large-scale, black-and-white photographic images juxtaposed with raucous, pithy, and often ironic aphorisms, printed in Futura Bold typeface against black, white, or deep red text bars. The inclusion of personal pronouns in works like Untitled (Your Gaze Hits the Side of My Face) (1981) and Untitled (I Shop Therefore I Am) (1987) implicates viewers by confounding any clear notion of who is speaking. These rigorously composed mature works function successfully on any scale. Their wide distribution—under the artist’s supervision—in the form of umbrellas, tote bags, postcards, mugs, T-shirts, posters, and so on, confuses the boundaries between art and commerce and calls attention to the role of the advertising in public debate. In recent years Barbara Kruger has extended her aesthetic project, creating public installations of her work in galleries, museums, municipal buildings, train stations, and parks, as well as on buses and billboards around the world. Walls, floors, and ceilings are covered with images and texts, which engulf and even assault the viewer. Since the late 1990s, Kruger has incorporated sculpture into her ongoing critique of modern American culture. Justice (1997), in white-painted fiberglass, depicts J. Edgar Hoover and Roy Cohn—two right-wing public figures who hid their homosexuality—in partial drag, kissing one another. In this kitsch send-up of commemorative statuary, Kruger highlights the conspiracy of silence that enabled these two men to accrue social and political power.


New Hotel Artwork by Barbara Kruger, "No. 4100 Untitled" 1985, Workshop Floor, Ladies Room American conceptual / pop artist Barbara Kruger was born in Newark, New Jersey in 1945 and left there in 1964 to attend Syracuse University. Early on she developed an interest in graphic design, poetry, writing and attended poetry readings. Kruger’s earliest artworks date to 1969. Large woven wall hangings of yarn, beads, sequins, feathers, and ribbons, they exemplify the feminist recuperation of craft during this period. Despite her inclusion in the Whitney Biennial in 1973 and solo exhibitions at Artists Space and Fischbach Gallery, both in New York, the following two years, she was dissatisfied with her output and its detachment from her growing social and political concerns. In the fall of 1976, Kruger abandoned art making and moved to Berkeley, California, where she taught at the University of California for four years and steeped herself in the writings of Walter Benjamin and Roland Barthes. She took up photography in 1977, producing a series of black-and-white details of architectural exteriors paired with her own textual ruminations on the lives of those living inside. Published as an artist’s book, Picture/Readings (1979) foreshadows the aesthetic vocabulary Kruger developed in her mature work. By 1979 Barbara Kruger stopped taking photographs and began to employ found images in her art, mostly from mid-century American print-media sources, with words collaged directly over them. Her 1980 untitled piece commonly known as "Perfect" portrays the torso of a woman, hands clasped in prayer, evoking the Virgin Mary, the embodiment of submissive femininity; the word “perfect” is emblazoned along the lower edge of the image. These early collages in which Kruger deployed techniques she had perfected as a graphic designer, inaugurated the artist’s ongoing political, social, and especially feminist provocations and commentaries on religion, racial and gender stereotypes, consumerism, corporate greed, and power. During the early 1980s Barbara Kruger perfected a signature agitprop style, using cropped, large-scale, black-and-white photographic images juxtaposed with raucous, pithy, and often ironic aphorisms, printed in Futura Bold typeface against black, white, or deep red text bars. The inclusion of personal pronouns in works like Untitled (Your Gaze Hits the Side of My Face) (1981) and Untitled (I Shop Therefore I Am) (1987) implicates viewers by confounding any clear notion of who is speaking. These rigorously composed mature works function successfully on any scale. Their wide distribution—under the artist’s supervision—in the form of umbrellas, tote bags, postcards, mugs, T-shirts, posters, and so on, confuses the boundaries between art and commerce and calls attention to the role of the advertising in public debate. In recent years Barbara Kruger has extended her aesthetic project, creating public installations of her work in galleries, museums, municipal buildings, train stations, and parks, as well as on buses and billboards around the world. Walls, floors, and ceilings are covered with images and texts, which engulf and even assault the viewer. Since the late 1990s, Kruger has incorporated sculpture into her ongoing critique of modern American culture. Justice (1997), in white-painted fiberglass, depicts J. Edgar Hoover and Roy Cohn—two right-wing public figures who hid their homosexuality—in partial drag, kissing one another. In this kitsch send-up of commemorative statuary, Kruger highlights the conspiracy of silence that enabled these two men to accrue social and political power.

New Hotel Artwork by Vassilis Balatsos, "Independent Landscape" #37, Junior Suite First Floor Concerning the work: Perspective was formed as an image, in the human brain, when man rised to his two feet and perceived the horizon. Urban landscape was the logical progress of this construction. Independent Landscapes research within this construction, the ways of living and being, referencing 20th c. Modernism.


New Hotel Artwork by Vassilis Balatsos, "Independent Landscape" #37, Junior Suite First Floor Concerning the work: Perspective was formed as an image, in the human brain, when man rised to his two feet and perceived the horizon. Urban landscape was the logical progress of this construction. Independent Landscapes research within this construction, the ways of living and being, referencing 20th c. Modernism.

New Hotel Artwork by Rallou Panagiotou, "Bridge I, Bridge II, Bridge IV" 2011, Junior Suite Second Floor Rallou Panagiotou’s works are condensed instances of situations within which power and luxury are being transformed. Her research focuses primarily on the transmutation of modernist ideas into symbols, their amagalmation with pop culture as exemplified through the New-Wave aesthetic and video games of the 1980s, as well as the architectural environments defined by Rem Koolhas as “junkspace”. The spatial negotiation of desire, access and luxury in public displays, through the mechanisms of institutions such as the museum, or the fashion industry, the semiotics of repetition and the transformation of materials, such as marble or plastic, official history and personal experience, reflect her interest for complex aesthetic and economic categories. This newtwork of relationships find form in her sculptural, painting and phottographic installations. Recent exhibitions: Sneak Preview, Andreas Melas & Helena Papadopoulos, ONE PERSON’S MATERIALISM IS ANOTHER PERSON’S ROMANTICISM, ReMap3, Athens, UNCUT/NORMAL TIME AT THE 75TH MERIDIAN, Studio Warehouse, Glasgow, MADONNA PSYCHO SLUT, Grimmuseum, Berlin, 100.EXHIBITION, Autocenter, curated by Joep Van Lιefland, Berlin, DIE UNVOLLENDETE, ACC, Weimar, 6th DESTE PRIZE, Museum of Cycladic Art Μουσείο Κυκλαδικής Τέχνης, Αθήνα.


New Hotel Artwork by Rallou Panagiotou, "Bridge I, Bridge II, Bridge IV" 2011, Junior Suite Second Floor Rallou Panagiotou’s works are condensed instances of situations within which power and luxury are being transformed. Her research focuses primarily on the transmutation of modernist ideas into symbols, their amagalmation with pop culture as exemplified through the New-Wave aesthetic and video games of the 1980s, as well as the architectural environments defined by Rem Koolhas as “junkspace”. The spatial negotiation of desire, access and luxury in public displays, through the mechanisms of institutions such as the museum, or the fashion industry, the semiotics of repetition and the transformation of materials, such as marble or plastic, official history and personal experience, reflect her interest for complex aesthetic and economic categories. This newtwork of relationships find form in her sculptural, painting and phottographic installations. Recent exhibitions: Sneak Preview, Andreas Melas & Helena Papadopoulos, ONE PERSON’S MATERIALISM IS ANOTHER PERSON’S ROMANTICISM, ReMap3, Athens, UNCUT/NORMAL TIME AT THE 75TH MERIDIAN, Studio Warehouse, Glasgow, MADONNA PSYCHO SLUT, Grimmuseum, Berlin, 100.EXHIBITION, Autocenter, curated by Joep Van Lιefland, Berlin, DIE UNVOLLENDETE, ACC, Weimar, 6th DESTE PRIZE, Museum of Cycladic Art Μουσείο Κυκλαδικής Τέχνης, Αθήνα.

New Hotel Artwork by Aliki Panagiotopoulou, "Like the night" (diptych) 2012, Junior Suite Third Floor Aliki Panagiotopoulou (born 1980, Athens) investigates the connections between materials, techniques and modes of narration to create works balancing between chronicle, confession, interpretation and invention. She studied Painting at the Athens School of Fine Art and received an MFA in Fine Art Media from the Slade School of Art. Recent exhibitions and projects include ‘Personal-Political’ at the 2nd Thessaloniki Biennale, Greece; ‘Petrosphere’ at ReMap3, Athens, Greece and Glasgow International Festival of Visual Art, UK; ARTSCHOOL/UK, Cell Project Space and Whitechapel Gallery, London; The Infinite Chambers of the Beehive that is the World, A.Antonopoulou.Art Gallery, Athens; and B.Y.O.B. at Kunsthalle Athena, Athens. She is currently resident at the ISCP, New York


New Hotel Artwork by Aliki Panagiotopoulou, "Like the night" (diptych) 2012, Junior Suite Third Floor Aliki Panagiotopoulou (born 1980, Athens) investigates the connections between materials, techniques and modes of narration to create works balancing between chronicle, confession, interpretation and invention. She studied Painting at the Athens School of Fine Art and received an MFA in Fine Art Media from the Slade School of Art. Recent exhibitions and projects include ‘Personal-Political’ at the 2nd Thessaloniki Biennale, Greece; ‘Petrosphere’ at ReMap3, Athens, Greece and Glasgow International Festival of Visual Art, UK; ARTSCHOOL/UK, Cell Project Space and Whitechapel Gallery, London; The Infinite Chambers of the Beehive that is the World, A.Antonopoulou.Art Gallery, Athens; and B.Y.O.B. at Kunsthalle Athena, Athens. She is currently resident at the ISCP, New York

New Hotel Artwork by Panos Famelis, "Object" 2006, Junior Suite Fourth Floor Panos Famelis ( born 1979, Athens) is an artist working on various media ranging from painting, sculpture, drawing, installations, performances and theater. He is the founding member of Under Construction group. He took his degree in Fine Arts (painting) in 2005 in the Aristotel university of Thessaloniki. He attended the Hogeschool Gent of Belgium between 2003- 04. He continued his studies in Athens from 2006 to 2008 completing his M.A in fine arts (painting) at the university of fine arts. Recent exhibitions and projects include Monodrome 3rd Biennale of Athens, (exit, under construction project). 'In Between ' 2011, video performance, Thessaloniki. 'Symbiosis' 15th Biennale della Mediterane,Thessaloniki- Rome.'The New Disorder' Ileana Tounta Contemporary Art Center, Athens. 'Existence' 2009 ,Fizz gallery, Athens, 2009.' Chaos project', Zina Athanassiadou Gallery 2007, Thessaloniki.


New Hotel Artwork by Panos Famelis, "Object" 2006, Junior Suite Fourth Floor Panos Famelis ( born 1979, Athens) is an artist working on various media ranging from painting, sculpture, drawing, installations, performances and theater. He is the founding member of Under Construction group. He took his degree in Fine Arts (painting) in 2005 in the Aristotel university of Thessaloniki. He attended the Hogeschool Gent of Belgium between 2003- 04. He continued his studies in Athens from 2006 to 2008 completing his M.A in fine arts (painting) at the university of fine arts. Recent exhibitions and projects include Monodrome 3rd Biennale of Athens, (exit, under construction project). 'In Between ' 2011, video performance, Thessaloniki. 'Symbiosis' 15th Biennale della Mediterane,Thessaloniki- Rome.'The New Disorder' Ileana Tounta Contemporary Art Center, Athens. 'Existence' 2009 ,Fizz gallery, Athens, 2009.' Chaos project', Zina Athanassiadou Gallery 2007, Thessaloniki.

New Hotel Artwork by Kostas Saphazis, "Untitled" 2012, Junior Suite Fifth FloorBorn in Thessaloniki in 1977. Lives in Athens. The materials used by Kostas Sahpazis in his sculptural objects and assemblages (some of which are wall pieces-carrying thus attributes primarily associated with painting) vary: jesmenite, leather, cardboard, plastics, wood, oil paint, fabric. These elements are stitched, sewn, stuck together during a constant process of addition and subtraction. Although his interest in form overrides his interest in narration, his works seem closer to the concept of the “informe” as developed by Georges Bataille. The “informe” (formless) operates through various forms so that it destabilizes the organizing principle of form. In this way the “formless” is opposed to the fetishism of form, and is determined more by what it does rather by what it is. Recent exhibitions: Sneak Preview, Andreas Melas & Helena Papadopoulos, Petrosphere, Galini, ReMap3, Athens, Vitrina project, OpenShowStudio, Athens, When I Said I Wanted To Be Your Dog (with artist Dora Economou), Six D.O.G.S, Athens, Late Summer Spectres, curated by Dimitris Dokatzis, Red Port, Rafina, Sculptural Narration, curated by Dr. Erika Wacker-Babnik in collaboration with Dennis Zacharopoulos and Alexios Papazacharia, Alex Mylona Museum, Athens (Macedonian Museum of Contemporary Art, Athens).


New Hotel Artwork by Kostas Saphazis, "Untitled" 2012, Junior Suite Fifth Floor Born in Thessaloniki in 1977. Lives in Athens. The materials used by Kostas Sahpazis in his sculptural objects and assemblages (some of which are wall pieces-carrying thus attributes primarily associated with painting) vary: jesmenite, leather, cardboard, plastics, wood, oil paint, fabric. These elements are stitched, sewn, stuck together during a constant process of addition and subtraction. Although his interest in form overrides his interest in narration, his works seem closer to the concept of the “informe” as developed by Georges Bataille. The “informe” (formless) operates through various forms so that it destabilizes the organizing principle of form. In this way the “formless” is opposed to the fetishism of form, and is determined more by what it does rather by what it is. Recent exhibitions: Sneak Preview, Andreas Melas & Helena Papadopoulos, Petrosphere, Galini, ReMap3, Athens, Vitrina project, OpenShowStudio, Athens, When I Said I Wanted To Be Your Dog (with artist Dora Economou), Six D.O.G.S, Athens, Late Summer Spectres, curated by Dimitris Dokatzis, Red Port, Rafina, Sculptural Narration, curated by Dr. Erika Wacker-Babnik in collaboration with Dennis Zacharopoulos and Alexios Papazacharia, Alex Mylona Museum, Athens (Macedonian Museum of Contemporary Art, Athens).

New Hotel Artwork by Kostas Saphazis, "Untitled" 2012, Junior Suite Fifth Floor


New Hotel Artwork by Kostas Saphazis, "Untitled" 2012, Junior Suite Fifth Floor

New Hotel Artwork by Nikos Papadopoulos, "Untitled" 2012, Junior Suite Sixth Floor Nikos Papadopoulos was born in 1970. Lives and works in Athens. He has studied painting at the Athens School of Fine Arts (1998-2003). In 2010 he obtained a postgraduate degree in Fine Arts from the same institution. Since 2000 he is member of the Filopappou Group. His topics are balancing between human relationships and nature, the concept of the time and the ritual process. Recent exhibitions and projects include Contemporary Istanbul 2011, participation with AD gallery, Reference / Representation, Jewish Museum of Thessaloniki as a guest event of the 3rd Thessaloniki Biennale, Microgeographies I, Art-Athina 2011, Over the corner we met Iolas, exhibition with Filopappou Group, Beton 7, parallel programme of 3rd Athens Biennale, the garden in between, solo show 2011, AD gallery Athens.


New Hotel Artwork by Nikos Papadopoulos, "Untitled" 2012, Junior Suite Sixth Floor Nikos Papadopoulos was born in 1970. Lives and works in Athens. He has studied painting at the Athens School of Fine Arts (1998-2003). In 2010 he obtained a postgraduate degree in Fine Arts from the same institution. Since 2000 he is member of the Filopappou Group. His topics are balancing between human relationships and nature, the concept of the time and the ritual process. Recent exhibitions and projects include Contemporary Istanbul 2011, participation with AD gallery, Reference / Representation, Jewish Museum of Thessaloniki as a guest event of the 3rd Thessaloniki Biennale, Microgeographies I, Art-Athina 2011, Over the corner we met Iolas, exhibition with Filopappou Group, Beton 7, parallel programme of 3rd Athens Biennale, the garden in between, solo show 2011, AD gallery Athens.

New Hotel Artwork by Elli Pagalou, "Plants Installation"


New Hotel Artwork by Elli Pagalou, "Plants Installation"

New Hotel Artwork by Jack Pierson, "Applause" 1997, Workshop Floor


New Hotel Artwork by Jack Pierson, "Applause" 1997, Workshop Floor

Artwork at NEW Hotel Art Lounge by Cattelan Maurizio & Pierpaolo FerrariItalian artist Maurizio Cattelan (b.1960) is known as the art world’s agent provocateur, using what seem to be stunts to address universal themes around the nature of dogma, power and death. Maurizio Cattelan was born in Padua, Italy in 1960. His work has been exhibited widely nationally and internationally. His work has been on view in numerous solo exhibitions, at the Guggenheim Museum, New York, NY, at the Migros Museum für Gegenwartskunst, Zurich; Artpace, San Antonio, Texas; Forum, Centre Georges Pompidou, Paris; the Kunsthalle Basel, Basel; Project 65 at the Museum of Modern Art, New York; as well as at Castello di Rivoli, Turin; Le Consortium, Dijon; and Wiener Secession, Vienna. Pierpaolo Ferrari (b. 1971) was born and raised in Milan where he developed his passion for photography and art. Since 1994 he specializes in advertising photography, collaborating with major agencies such as BBDO, McCann Erikson, DDB, Saatchi & Saatchi, Cheil Communication, Thompson and Wieden & Kennedy, working for brands like Nike, Audi, Mercedes, Vespa, Campari, BMW, Motorola, Sony, Rayban, Alfa Romeo, Heineken, MTV, Samsung, and the Biennale of Venice. In 2006, together with Federico Pepe, he realized Le Dictateur, a luxury art Magazine, publishing personal artworks by artist and photographers from all over the world. Recently he directed the latest commercial for Emporio Armani and shoots for Uomo Vogue. Ferrari lives and works between New York and Milan.Toilet Paper is an artists' magazine created and manufactured by artist Maurizio Cattelan and photographer Pierpaolo Ferrari, born out of a passion/obsession they both cultivate: images. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts.Ever since the first issue of June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. The magazine is an exploration of society’s obsession with imagery, and the way in which commercial photography and advertisements manipulate our vision. For the joy of those who, in magazines, only watch pictures, in Toilet Paper there are no texts, apart from a long list of contributors, assistants, stylists and producers.


Artwork at NEW Hotel Art Lounge by Cattelan Maurizio & Pierpaolo Ferrari Italian artist Maurizio Cattelan (b.1960) is known as the art world’s agent provocateur, using what seem to be stunts to address universal themes around the nature of dogma, power and death. Maurizio Cattelan was born in Padua, Italy in 1960. His work has been exhibited widely nationally and internationally. His work has been on view in numerous solo exhibitions, at the Guggenheim Museum, New York, NY, at the Migros Museum für Gegenwartskunst, Zurich; Artpace, San Antonio, Texas; Forum, Centre Georges Pompidou, Paris; the Kunsthalle Basel, Basel; Project 65 at the Museum of Modern Art, New York; as well as at Castello di Rivoli, Turin; Le Consortium, Dijon; and Wiener Secession, Vienna. Pierpaolo Ferrari (b. 1971) was born and raised in Milan where he developed his passion for photography and art. Since 1994 he specializes in advertising photography, collaborating with major agencies such as BBDO, McCann Erikson, DDB, Saatchi & Saatchi, Cheil Communication, Thompson and Wieden & Kennedy, working for brands like Nike, Audi, Mercedes, Vespa, Campari, BMW, Motorola, Sony, Rayban, Alfa Romeo, Heineken, MTV, Samsung, and the Biennale of Venice. In 2006, together with Federico Pepe, he realized Le Dictateur, a luxury art Magazine, publishing personal artworks by artist and photographers from all over the world. Recently he directed the latest commercial for Emporio Armani and shoots for Uomo Vogue. Ferrari lives and works between New York and Milan. Toilet Paper is an artists' magazine created and manufactured by artist Maurizio Cattelan and photographer Pierpaolo Ferrari, born out of a passion/obsession they both cultivate: images. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts. Ever since the first issue of June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. The magazine is an exploration of society’s obsession with imagery, and the way in which commercial photography and advertisements manipulate our vision. For the joy of those who, in magazines, only watch pictures, in Toilet Paper there are no texts, apart from a long list of contributors, assistants, stylists and producers.

Artwork at NEW Hotel Art Lounge by Cattelan Maurizio & Pierpaolo FerrariItalian artist Maurizio Cattelan (b.1960) is known as the art world’s agent provocateur, using what seem to be stunts to address universal themes around the nature of dogma, power and death. Maurizio Cattelan was born in Padua, Italy in 1960. His work has been exhibited widely nationally and internationally. His work has been on view in numerous solo exhibitions, at the Guggenheim Museum, New York, NY, at the Migros Museum für Gegenwartskunst, Zurich; Artpace, San Antonio, Texas; Forum, Centre Georges Pompidou, Paris; the Kunsthalle Basel, Basel; Project 65 at the Museum of Modern Art, New York; as well as at Castello di Rivoli, Turin; Le Consortium, Dijon; and Wiener Secession, Vienna. Pierpaolo Ferrari (b. 1971) was born and raised in Milan where he developed his passion for photography and art. Since 1994 he specializes in advertising photography, collaborating with major agencies such as BBDO, McCann Erikson, DDB, Saatchi & Saatchi, Cheil Communication, Thompson and Wieden & Kennedy, working for brands like Nike, Audi, Mercedes, Vespa, Campari, BMW, Motorola, Sony, Rayban, Alfa Romeo, Heineken, MTV, Samsung, and the Biennale of Venice. In 2006, together with Federico Pepe, he realized Le Dictateur, a luxury art Magazine, publishing personal artworks by artist and photographers from all over the world. Recently he directed the latest commercial for Emporio Armani and shoots for Uomo Vogue. Ferrari lives and works between New York and Milan.Toilet Paper is an artists' magazine created and manufactured by artist Maurizio Cattelan and photographer Pierpaolo Ferrari, born out of a passion/obsession they both cultivate: images. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts.Ever since the first issue of June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. The magazine is an exploration of society’s obsession with imagery, and the way in which commercial photography and advertisements manipulate our vision. For the joy of those who, in magazines, only watch pictures, in Toilet Paper there are no texts, apart from a long list of contributors, assistants, stylists and producers.


Artwork at NEW Hotel Art Lounge by Cattelan Maurizio & Pierpaolo Ferrari Italian artist Maurizio Cattelan (b.1960) is known as the art world’s agent provocateur, using what seem to be stunts to address universal themes around the nature of dogma, power and death. Maurizio Cattelan was born in Padua, Italy in 1960. His work has been exhibited widely nationally and internationally. His work has been on view in numerous solo exhibitions, at the Guggenheim Museum, New York, NY, at the Migros Museum für Gegenwartskunst, Zurich; Artpace, San Antonio, Texas; Forum, Centre Georges Pompidou, Paris; the Kunsthalle Basel, Basel; Project 65 at the Museum of Modern Art, New York; as well as at Castello di Rivoli, Turin; Le Consortium, Dijon; and Wiener Secession, Vienna. Pierpaolo Ferrari (b. 1971) was born and raised in Milan where he developed his passion for photography and art. Since 1994 he specializes in advertising photography, collaborating with major agencies such as BBDO, McCann Erikson, DDB, Saatchi & Saatchi, Cheil Communication, Thompson and Wieden & Kennedy, working for brands like Nike, Audi, Mercedes, Vespa, Campari, BMW, Motorola, Sony, Rayban, Alfa Romeo, Heineken, MTV, Samsung, and the Biennale of Venice. In 2006, together with Federico Pepe, he realized Le Dictateur, a luxury art Magazine, publishing personal artworks by artist and photographers from all over the world. Recently he directed the latest commercial for Emporio Armani and shoots for Uomo Vogue. Ferrari lives and works between New York and Milan. Toilet Paper is an artists' magazine created and manufactured by artist Maurizio Cattelan and photographer Pierpaolo Ferrari, born out of a passion/obsession they both cultivate: images. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts. Ever since the first issue of June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. The magazine is an exploration of society’s obsession with imagery, and the way in which commercial photography and advertisements manipulate our vision. For the joy of those who, in magazines, only watch pictures, in Toilet Paper there are no texts, apart from a long list of contributors, assistants, stylists and producers.

Artwork at NEW Hotel Art Lounge by Cattelan Maurizio & Pierpaolo FerrariItalian artist Maurizio Cattelan (b.1960) is known as the art world’s agent provocateur, using what seem to be stunts to address universal themes around the nature of dogma, power and death. Maurizio Cattelan was born in Padua, Italy in 1960. His work has been exhibited widely nationally and internationally. His work has been on view in numerous solo exhibitions, at the Guggenheim Museum, New York, NY, at the Migros Museum für Gegenwartskunst, Zurich; Artpace, San Antonio, Texas; Forum, Centre Georges Pompidou, Paris; the Kunsthalle Basel, Basel; Project 65 at the Museum of Modern Art, New York; as well as at Castello di Rivoli, Turin; Le Consortium, Dijon; and Wiener Secession, Vienna. Pierpaolo Ferrari (b. 1971) was born and raised in Milan where he developed his passion for photography and art. Since 1994 he specializes in advertising photography, collaborating with major agencies such as BBDO, McCann Erikson, DDB, Saatchi & Saatchi, Cheil Communication, Thompson and Wieden & Kennedy, working for brands like Nike, Audi, Mercedes, Vespa, Campari, BMW, Motorola, Sony, Rayban, Alfa Romeo, Heineken, MTV, Samsung, and the Biennale of Venice. In 2006, together with Federico Pepe, he realized Le Dictateur, a luxury art Magazine, publishing personal artworks by artist and photographers from all over the world. Recently he directed the latest commercial for Emporio Armani and shoots for Uomo Vogue. Ferrari lives and works between New York and Milan.Toilet Paper is an artists' magazine created and manufactured by artist Maurizio Cattelan and photographer Pierpaolo Ferrari, born out of a passion/obsession they both cultivate: images. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts.Ever since the first issue of June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. The magazine is an exploration of society’s obsession with imagery, and the way in which commercial photography and advertisements manipulate our vision. For the joy of those who, in magazines, only watch pictures, in Toilet Paper there are no texts, apart from a long list of contributors, assistants, stylists and producers.


Artwork at NEW Hotel Art Lounge by Cattelan Maurizio & Pierpaolo Ferrari Italian artist Maurizio Cattelan (b.1960) is known as the art world’s agent provocateur, using what seem to be stunts to address universal themes around the nature of dogma, power and death. Maurizio Cattelan was born in Padua, Italy in 1960. His work has been exhibited widely nationally and internationally. His work has been on view in numerous solo exhibitions, at the Guggenheim Museum, New York, NY, at the Migros Museum für Gegenwartskunst, Zurich; Artpace, San Antonio, Texas; Forum, Centre Georges Pompidou, Paris; the Kunsthalle Basel, Basel; Project 65 at the Museum of Modern Art, New York; as well as at Castello di Rivoli, Turin; Le Consortium, Dijon; and Wiener Secession, Vienna. Pierpaolo Ferrari (b. 1971) was born and raised in Milan where he developed his passion for photography and art. Since 1994 he specializes in advertising photography, collaborating with major agencies such as BBDO, McCann Erikson, DDB, Saatchi & Saatchi, Cheil Communication, Thompson and Wieden & Kennedy, working for brands like Nike, Audi, Mercedes, Vespa, Campari, BMW, Motorola, Sony, Rayban, Alfa Romeo, Heineken, MTV, Samsung, and the Biennale of Venice. In 2006, together with Federico Pepe, he realized Le Dictateur, a luxury art Magazine, publishing personal artworks by artist and photographers from all over the world. Recently he directed the latest commercial for Emporio Armani and shoots for Uomo Vogue. Ferrari lives and works between New York and Milan. Toilet Paper is an artists' magazine created and manufactured by artist Maurizio Cattelan and photographer Pierpaolo Ferrari, born out of a passion/obsession they both cultivate: images. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts. Ever since the first issue of June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. The magazine is an exploration of society’s obsession with imagery, and the way in which commercial photography and advertisements manipulate our vision. For the joy of those who, in magazines, only watch pictures, in Toilet Paper there are no texts, apart from a long list of contributors, assistants, stylists and producers.

Artwork at NEW Hotel Art Lounge by Cattelan Maurizio & Pierpaolo FerrariItalian artist Maurizio Cattelan (b.1960) is known as the art world’s agent provocateur, using what seem to be stunts to address universal themes around the nature of dogma, power and death. Maurizio Cattelan was born in Padua, Italy in 1960. His work has been exhibited widely nationally and internationally. His work has been on view in numerous solo exhibitions, at the Guggenheim Museum, New York, NY, at the Migros Museum für Gegenwartskunst, Zurich; Artpace, San Antonio, Texas; Forum, Centre Georges Pompidou, Paris; the Kunsthalle Basel, Basel; Project 65 at the Museum of Modern Art, New York; as well as at Castello di Rivoli, Turin; Le Consortium, Dijon; and Wiener Secession, Vienna. Pierpaolo Ferrari (b. 1971) was born and raised in Milan where he developed his passion for photography and art. Since 1994 he specializes in advertising photography, collaborating with major agencies such as BBDO, McCann Erikson, DDB, Saatchi & Saatchi, Cheil Communication, Thompson and Wieden & Kennedy, working for brands like Nike, Audi, Mercedes, Vespa, Campari, BMW, Motorola, Sony, Rayban, Alfa Romeo, Heineken, MTV, Samsung, and the Biennale of Venice. In 2006, together with Federico Pepe, he realized Le Dictateur, a luxury art Magazine, publishing personal artworks by artist and photographers from all over the world. Recently he directed the latest commercial for Emporio Armani and shoots for Uomo Vogue. Ferrari lives and works between New York and Milan.Toilet Paper is an artists' magazine created and manufactured by artist Maurizio Cattelan and photographer Pierpaolo Ferrari, born out of a passion/obsession they both cultivate: images. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts.Ever since the first issue of June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. The magazine is an exploration of society’s obsession with imagery, and the way in which commercial photography and advertisements manipulate our vision. For the joy of those who, in magazines, only watch pictures, in Toilet Paper there are no texts, apart from a long list of contributors, assistants, stylists and producers.


Artwork at NEW Hotel Art Lounge by Cattelan Maurizio & Pierpaolo Ferrari Italian artist Maurizio Cattelan (b.1960) is known as the art world’s agent provocateur, using what seem to be stunts to address universal themes around the nature of dogma, power and death. Maurizio Cattelan was born in Padua, Italy in 1960. His work has been exhibited widely nationally and internationally. His work has been on view in numerous solo exhibitions, at the Guggenheim Museum, New York, NY, at the Migros Museum für Gegenwartskunst, Zurich; Artpace, San Antonio, Texas; Forum, Centre Georges Pompidou, Paris; the Kunsthalle Basel, Basel; Project 65 at the Museum of Modern Art, New York; as well as at Castello di Rivoli, Turin; Le Consortium, Dijon; and Wiener Secession, Vienna. Pierpaolo Ferrari (b. 1971) was born and raised in Milan where he developed his passion for photography and art. Since 1994 he specializes in advertising photography, collaborating with major agencies such as BBDO, McCann Erikson, DDB, Saatchi & Saatchi, Cheil Communication, Thompson and Wieden & Kennedy, working for brands like Nike, Audi, Mercedes, Vespa, Campari, BMW, Motorola, Sony, Rayban, Alfa Romeo, Heineken, MTV, Samsung, and the Biennale of Venice. In 2006, together with Federico Pepe, he realized Le Dictateur, a luxury art Magazine, publishing personal artworks by artist and photographers from all over the world. Recently he directed the latest commercial for Emporio Armani and shoots for Uomo Vogue. Ferrari lives and works between New York and Milan. Toilet Paper is an artists' magazine created and manufactured by artist Maurizio Cattelan and photographer Pierpaolo Ferrari, born out of a passion/obsession they both cultivate: images. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts. Ever since the first issue of June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. The magazine is an exploration of society’s obsession with imagery, and the way in which commercial photography and advertisements manipulate our vision. For the joy of those who, in magazines, only watch pictures, in Toilet Paper there are no texts, apart from a long list of contributors, assistants, stylists and producers.

Artwork at NEW Hotel Art Lounge by Cattelan Maurizio & Pierpaolo FerrariItalian artist Maurizio Cattelan (b.1960) is known as the art world’s agent provocateur, using what seem to be stunts to address universal themes around the nature of dogma, power and death. Maurizio Cattelan was born in Padua, Italy in 1960. His work has been exhibited widely nationally and internationally. His work has been on view in numerous solo exhibitions, at the Guggenheim Museum, New York, NY, at the Migros Museum für Gegenwartskunst, Zurich; Artpace, San Antonio, Texas; Forum, Centre Georges Pompidou, Paris; the Kunsthalle Basel, Basel; Project 65 at the Museum of Modern Art, New York; as well as at Castello di Rivoli, Turin; Le Consortium, Dijon; and Wiener Secession, Vienna. Pierpaolo Ferrari (b. 1971) was born and raised in Milan where he developed his passion for photography and art. Since 1994 he specializes in advertising photography, collaborating with major agencies such as BBDO, McCann Erikson, DDB, Saatchi & Saatchi, Cheil Communication, Thompson and Wieden & Kennedy, working for brands like Nike, Audi, Mercedes, Vespa, Campari, BMW, Motorola, Sony, Rayban, Alfa Romeo, Heineken, MTV, Samsung, and the Biennale of Venice. In 2006, together with Federico Pepe, he realized Le Dictateur, a luxury art Magazine, publishing personal artworks by artist and photographers from all over the world. Recently he directed the latest commercial for Emporio Armani and shoots for Uomo Vogue. Ferrari lives and works between New York and Milan.Toilet Paper is an artists' magazine created and manufactured by artist Maurizio Cattelan and photographer Pierpaolo Ferrari, born out of a passion/obsession they both cultivate: images. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts.Ever since the first issue of June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. The magazine is an exploration of society’s obsession with imagery, and the way in which commercial photography and advertisements manipulate our vision. For the joy of those who, in magazines, only watch pictures, in Toilet Paper there are no texts, apart from a long list of contributors, assistants, stylists and producers.


Artwork at NEW Hotel Art Lounge by Cattelan Maurizio & Pierpaolo Ferrari Italian artist Maurizio Cattelan (b.1960) is known as the art world’s agent provocateur, using what seem to be stunts to address universal themes around the nature of dogma, power and death. Maurizio Cattelan was born in Padua, Italy in 1960. His work has been exhibited widely nationally and internationally. His work has been on view in numerous solo exhibitions, at the Guggenheim Museum, New York, NY, at the Migros Museum für Gegenwartskunst, Zurich; Artpace, San Antonio, Texas; Forum, Centre Georges Pompidou, Paris; the Kunsthalle Basel, Basel; Project 65 at the Museum of Modern Art, New York; as well as at Castello di Rivoli, Turin; Le Consortium, Dijon; and Wiener Secession, Vienna. Pierpaolo Ferrari (b. 1971) was born and raised in Milan where he developed his passion for photography and art. Since 1994 he specializes in advertising photography, collaborating with major agencies such as BBDO, McCann Erikson, DDB, Saatchi & Saatchi, Cheil Communication, Thompson and Wieden & Kennedy, working for brands like Nike, Audi, Mercedes, Vespa, Campari, BMW, Motorola, Sony, Rayban, Alfa Romeo, Heineken, MTV, Samsung, and the Biennale of Venice. In 2006, together with Federico Pepe, he realized Le Dictateur, a luxury art Magazine, publishing personal artworks by artist and photographers from all over the world. Recently he directed the latest commercial for Emporio Armani and shoots for Uomo Vogue. Ferrari lives and works between New York and Milan. Toilet Paper is an artists' magazine created and manufactured by artist Maurizio Cattelan and photographer Pierpaolo Ferrari, born out of a passion/obsession they both cultivate: images. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts. Ever since the first issue of June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. The magazine is an exploration of society’s obsession with imagery, and the way in which commercial photography and advertisements manipulate our vision. For the joy of those who, in magazines, only watch pictures, in Toilet Paper there are no texts, apart from a long list of contributors, assistants, stylists and producers.

Artwork at NEW Hotel Art Lounge by Cattelan Maurizio & Pierpaolo FerrariItalian artist Maurizio Cattelan (b.1960) is known as the art world’s agent provocateur, using what seem to be stunts to address universal themes around the nature of dogma, power and death. Maurizio Cattelan was born in Padua, Italy in 1960. His work has been exhibited widely nationally and internationally. His work has been on view in numerous solo exhibitions, at the Guggenheim Museum, New York, NY, at the Migros Museum für Gegenwartskunst, Zurich; Artpace, San Antonio, Texas; Forum, Centre Georges Pompidou, Paris; the Kunsthalle Basel, Basel; Project 65 at the Museum of Modern Art, New York; as well as at Castello di Rivoli, Turin; Le Consortium, Dijon; and Wiener Secession, Vienna. Pierpaolo Ferrari (b. 1971) was born and raised in Milan where he developed his passion for photography and art. Since 1994 he specializes in advertising photography, collaborating with major agencies such as BBDO, McCann Erikson, DDB, Saatchi & Saatchi, Cheil Communication, Thompson and Wieden & Kennedy, working for brands like Nike, Audi, Mercedes, Vespa, Campari, BMW, Motorola, Sony, Rayban, Alfa Romeo, Heineken, MTV, Samsung, and the Biennale of Venice. In 2006, together with Federico Pepe, he realized Le Dictateur, a luxury art Magazine, publishing personal artworks by artist and photographers from all over the world. Recently he directed the latest commercial for Emporio Armani and shoots for Uomo Vogue. Ferrari lives and works between New York and Milan.Toilet Paper is an artists' magazine created and manufactured by artist Maurizio Cattelan and photographer Pierpaolo Ferrari, born out of a passion/obsession they both cultivate: images. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts.Ever since the first issue of June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. The magazine is an exploration of society’s obsession with imagery, and the way in which commercial photography and advertisements manipulate our vision. For the joy of those who, in magazines, only watch pictures, in Toilet Paper there are no texts, apart from a long list of contributors, assistants, stylists and producers.


Artwork at NEW Hotel Art Lounge by Cattelan Maurizio & Pierpaolo Ferrari Italian artist Maurizio Cattelan (b.1960) is known as the art world’s agent provocateur, using what seem to be stunts to address universal themes around the nature of dogma, power and death. Maurizio Cattelan was born in Padua, Italy in 1960. His work has been exhibited widely nationally and internationally. His work has been on view in numerous solo exhibitions, at the Guggenheim Museum, New York, NY, at the Migros Museum für Gegenwartskunst, Zurich; Artpace, San Antonio, Texas; Forum, Centre Georges Pompidou, Paris; the Kunsthalle Basel, Basel; Project 65 at the Museum of Modern Art, New York; as well as at Castello di Rivoli, Turin; Le Consortium, Dijon; and Wiener Secession, Vienna. Pierpaolo Ferrari (b. 1971) was born and raised in Milan where he developed his passion for photography and art. Since 1994 he specializes in advertising photography, collaborating with major agencies such as BBDO, McCann Erikson, DDB, Saatchi & Saatchi, Cheil Communication, Thompson and Wieden & Kennedy, working for brands like Nike, Audi, Mercedes, Vespa, Campari, BMW, Motorola, Sony, Rayban, Alfa Romeo, Heineken, MTV, Samsung, and the Biennale of Venice. In 2006, together with Federico Pepe, he realized Le Dictateur, a luxury art Magazine, publishing personal artworks by artist and photographers from all over the world. Recently he directed the latest commercial for Emporio Armani and shoots for Uomo Vogue. Ferrari lives and works between New York and Milan. Toilet Paper is an artists' magazine created and manufactured by artist Maurizio Cattelan and photographer Pierpaolo Ferrari, born out of a passion/obsession they both cultivate: images. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts. Ever since the first issue of June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. The magazine is an exploration of society’s obsession with imagery, and the way in which commercial photography and advertisements manipulate our vision. For the joy of those who, in magazines, only watch pictures, in Toilet Paper there are no texts, apart from a long list of contributors, assistants, stylists and producers.

Artwork at NEW Hotel Art Lounge by Cattelan Maurizio & Pierpaolo FerrariItalian artist Maurizio Cattelan (b.1960) is known as the art world’s agent provocateur, using what seem to be stunts to address universal themes around the nature of dogma, power and death. Maurizio Cattelan was born in Padua, Italy in 1960. His work has been exhibited widely nationally and internationally. His work has been on view in numerous solo exhibitions, at the Guggenheim Museum, New York, NY, at the Migros Museum für Gegenwartskunst, Zurich; Artpace, San Antonio, Texas; Forum, Centre Georges Pompidou, Paris; the Kunsthalle Basel, Basel; Project 65 at the Museum of Modern Art, New York; as well as at Castello di Rivoli, Turin; Le Consortium, Dijon; and Wiener Secession, Vienna. Pierpaolo Ferrari (b. 1971) was born and raised in Milan where he developed his passion for photography and art. Since 1994 he specializes in advertising photography, collaborating with major agencies such as BBDO, McCann Erikson, DDB, Saatchi & Saatchi, Cheil Communication, Thompson and Wieden & Kennedy, working for brands like Nike, Audi, Mercedes, Vespa, Campari, BMW, Motorola, Sony, Rayban, Alfa Romeo, Heineken, MTV, Samsung, and the Biennale of Venice. In 2006, together with Federico Pepe, he realized Le Dictateur, a luxury art Magazine, publishing personal artworks by artist and photographers from all over the world. Recently he directed the latest commercial for Emporio Armani and shoots for Uomo Vogue. Ferrari lives and works between New York and Milan.Toilet Paper is an artists' magazine created and manufactured by artist Maurizio Cattelan and photographer Pierpaolo Ferrari, born out of a passion/obsession they both cultivate: images. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts.Ever since the first issue of June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. The magazine is an exploration of society’s obsession with imagery, and the way in which commercial photography and advertisements manipulate our vision. For the joy of those who, in magazines, only watch pictures, in Toilet Paper there are no texts, apart from a long list of contributors, assistants, stylists and producers.


Artwork at NEW Hotel Art Lounge by Cattelan Maurizio & Pierpaolo Ferrari Italian artist Maurizio Cattelan (b.1960) is known as the art world’s agent provocateur, using what seem to be stunts to address universal themes around the nature of dogma, power and death. Maurizio Cattelan was born in Padua, Italy in 1960. His work has been exhibited widely nationally and internationally. His work has been on view in numerous solo exhibitions, at the Guggenheim Museum, New York, NY, at the Migros Museum für Gegenwartskunst, Zurich; Artpace, San Antonio, Texas; Forum, Centre Georges Pompidou, Paris; the Kunsthalle Basel, Basel; Project 65 at the Museum of Modern Art, New York; as well as at Castello di Rivoli, Turin; Le Consortium, Dijon; and Wiener Secession, Vienna. Pierpaolo Ferrari (b. 1971) was born and raised in Milan where he developed his passion for photography and art. Since 1994 he specializes in advertising photography, collaborating with major agencies such as BBDO, McCann Erikson, DDB, Saatchi & Saatchi, Cheil Communication, Thompson and Wieden & Kennedy, working for brands like Nike, Audi, Mercedes, Vespa, Campari, BMW, Motorola, Sony, Rayban, Alfa Romeo, Heineken, MTV, Samsung, and the Biennale of Venice. In 2006, together with Federico Pepe, he realized Le Dictateur, a luxury art Magazine, publishing personal artworks by artist and photographers from all over the world. Recently he directed the latest commercial for Emporio Armani and shoots for Uomo Vogue. Ferrari lives and works between New York and Milan. Toilet Paper is an artists' magazine created and manufactured by artist Maurizio Cattelan and photographer Pierpaolo Ferrari, born out of a passion/obsession they both cultivate: images. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists' mental outbursts. Ever since the first issue of June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. The magazine is an exploration of society’s obsession with imagery, and the way in which commercial photography and advertisements manipulate our vision. For the joy of those who, in magazines, only watch pictures, in Toilet Paper there are no texts, apart from a long list of contributors, assistants, stylists and producers.

Artwork at NEW Hotel Art Lounge by Ashley Bickerton Ashley Bickerton (b. 1959, Barbados, West Indies) graduated from the California Institute of the Arts in 1982 and continued his education in the Independent Studies Program at the Whitney Museum of American Art, New York. A seminal figure in the East Village scene, Bickerton was one of the original members of a group of artists known as “Neo-Geo,” and to this day, he remains an influential figure with a younger generation of artists. Over the last twenty-five years, Bickerton’s work has been exhibited extensively in nearly every major museum around the world. His work can be found in numerous museum collections worldwide.. His work will be the subject of a fourth solo exhibition at Lehmann Maupin, New York, in the fall of 2013. The artist lives and works in Bali, Indonesia.


Artwork at NEW Hotel Art Lounge by Ashley Bickerton Ashley Bickerton (b. 1959, Barbados, West Indies) graduated from the California Institute of the Arts in 1982 and continued his education in the Independent Studies Program at the Whitney Museum of American Art, New York. A seminal figure in the East Village scene, Bickerton was one of the original members of a group of artists known as “Neo-Geo,” and to this day, he remains an influential figure with a younger generation of artists. Over the last twenty-five years, Bickerton’s work has been exhibited extensively in nearly every major museum around the world. His work can be found in numerous museum collections worldwide.. His work will be the subject of a fourth solo exhibition at Lehmann Maupin, New York, in the fall of 2013. The artist lives and works in Bali, Indonesia.

Artwork at NEW Hotel Art Lounge by Irini Miga, NEW Hotel, Workshop Floor, Ladies room Irini Miga (born 1981 in Larissa, Greece) uses personal and historical references in her work, always maintaining an allegoric gaze at reality. She develops a dialogue between the past and the present and discovers the poetry and romance that is generated through the manipulation of old, distant events and cultural products, by giving birth to novel meanings and interpretations. A great attention to detail and surrealistic elements can be traced throughout her practice, which includes drawings and ceramic sculptures. Miga lives and works in New York.


Artwork at NEW Hotel Art Lounge by Irini Miga, NEW Hotel, Workshop Floor, Ladies room Irini Miga (born 1981 in Larissa, Greece) uses personal and historical references in her work, always maintaining an allegoric gaze at reality. She develops a dialogue between the past and the present and discovers the poetry and romance that is generated through the manipulation of old, distant events and cultural products, by giving birth to novel meanings and interpretations. A great attention to detail and surrealistic elements can be traced throughout her practice, which includes drawings and ceramic sculptures. Miga lives and works in New York.